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A miracle excavated from the sunken ruins of a tragedy, and a masterpiece rescued from what seemed like a surefire Hollywood fiasco, “Titanic” may very well be tempting to think of as being the “Casablanca” or “Apocalypse Now” of its time, but James Cameron’s larger-than-life phenomenon is also a whole lot more than that: It’s every kind of movie they don’t make anymore slapped together into a 52,000-ton colossus and then sunk at sea for our amusement.
This clever and hilarious coming of age film stars Beanie Feldstein and Kaitlyn Dever as two teenage best friends who decide to go to 1 last party now that high school is over. Dever's character has one of several realest young lesbian stories you'll see inside of a movie.
, John Madden’s “Shakespeare in Love” is a lightning-in-a-bottle romantic comedy sparked by on the list of most self-confident Hollywood screenplays of its decade, and galvanized by an ensemble cast full of people at the peak of their powers. It’s also, famously, the movie that defeat “Saving Private Ryan” for Best Picture and cemented Harvey Weinstein’s reputation as one of many most underhanded power mongers the film business had ever seen — two lasting strikes against an ultra-bewitching Elizabethan charmer so slick that it still kind of feels like the work on the devil.
The story of the son confronting the family’s patriarch at his birthday gathering about the horrors from the earlier, the film chronicles the collapse of that family under the weight from the buried truth being pulled up through the roots. Vintenberg uses the camera’s inability to handle the natural lower light, and the subsequent breaking up with the grainy image, to perfectly match the disintegration of the family over the course with the day turning to night.
Figuratively (and almost literally) the ultimate movie in the 20th Century, “Fight Club” could be the story of an average white American person so alienated from his identity that he becomes his possess
It’s easy to make high school and its inhabitants appear silly or transitory, but Heckerling is keenly aware of the formative power of those teenage years. “Clueless” understands that while some of its characters’ concerns are small potatoes (yes, some people did eliminate all their athletic products during the Pismo Beach catastrophe, and no, a biffed driver’s test isn't the end of your world), these experiences are also going to lead to the best way they method life forever.
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These days, it can be hard to separate Werner Herzog from the meme-driven caricature that he’s cultivated Because the results of “Grizzly Gentleman” — his deadpan voice, his love of Baby Yoda, his droll insistence that a chicken’s eyes betray “a bottomless stupidity, a fiendish stupidity… that they tend to be the most horrifying, cannibalistic, and nightmarish creatures while in the world.
The dark has never been darker than it can be in “Lost Highway.” Actually, “inky” isn’t a strong enough descriptor with the starless desert nights and shadowy corners buzzing with staticky slutty kristall rush made dinky sucking sensation menace that make Lynch’s first official collaboration with novelist Barry Gifford (“Wild At Heart”) the most terrifying movie in his filmography. This is usually a “ghastly” black. An “antimatter” black. A black where monsters live.
Al Pacino portrays a neophyte criminal who robs a lender in order to raise money for his lover’s gender-reassignment operation. Based upon a true story and nominated for 6 Oscars (including Best Actor for Pacino),
Despite criticism for its fictionalized account of Wegener’s story and the casting of cisgender actor Eddie Redmayne in the title role, the film was a crowd-pleaser that performed well with the box office.
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The crisis of identity for the heart of Kiyoshi Kurosawa’s 1997 international breakthrough “Remedy” addresses an essential truth about Japanese Modern society, where “the nail that sticks up gets pounded down.” Even so the provocative existential question with the core from the film — without your job and your family and your place in the world, who do you think you're really?